GIGS

“Collectively they kept a full house engaged for two sets of original music that both grabbed you by the throat and whispered in your ear - ocasionally at the same time!”

— Stephen Mynott, Milestones Jazz Club

“The best gig we’ve seen in a very long time

The most I’ve ever enjoyed a jazz night

The best saxophonist we’ve seen in years

We came away buzzing from last night’s gig and we agree it was one of the best performances we’ve seen in a long time.”

— Milestones Jazz Club audience

“I was mesmerised by this gripping performance. Aaron Liddard and his quintet were superb. Drums, bass, keys guitar all played with 150% vitality, while Aaron blew his sax from screaming to soothing. Aaron is climbing his steady stair to fame. Awesome because it contained oodles of awe. Ronnie Scotts now a great venue again”

— Mark Lundquist

“What a great night, it was astounding!”

— Natalia Farran

Live review - Emrys Baird for Blues & Soul Magazine 10.8.23

“Fresh from his sell-out shows at Ronnie Scott’s, sax colossus Aaron Liddard, continued his onslaught this time at the plush branch of Pizza Express in Holborn. Another great venue to showcase his current album "Nylon Man". Critically acclaimed his music is a potpourri of musical ideas, blending tough rhythms, that incorporate Hard-bop, Cuban and Brazilian grooves dosed with funk and heavy jazz attitude.

Tonight, Liddard led with a steadfast presence and pitched straight in with surging sax solos and general bonhomie whilst crafting some clever stage business and audience participation.

As well as Latin lushness funk isn’t very far away either, the taut beat on "Apple & Pears" gives way to some extremely funky goodness with a nice gritty guitar solo, also some synth wizzardy and then juicy slap bass thrown in for good measure. The beguiling Giulia Marelli was up next with the sumptuous-sounding "Snow Drops" It’s a beautiful melody and the lilting 12/8 picked up when Liddard’s strident tenor solo kicked in. She also delivered the necessary on "Beautiful" where she soared supremely with poise and gravitas.

Special guest Cuban violinist Omar Puente, fresh in from Havana on the day, added some spicey sauce on "Manana" especially when Liddard joined in egging him on triumphantly. The high octane interplay is widely apparent, especially on the closing belters, ‘My Kinda’ and the ferocious ‘Cat Food’.

Suffice it to say, Liddard and his band remind you of just how fun live music should be, there is joy, and pure playfulness in their performance. The kind of thing you would expect when players like these are well-honed and on it. Don’t be fooled by their party-style antics either, as their music is characterized by a notable level of maturity and metered out with sophisticated touches.